W’s fiftieth Anniversary Subject is an all-out supermodel celebration that includes 17 cowl stars starting from the world’s most well-known names to girls who’re effectively on their solution to whole trend domination. See each cowl mannequin right here and skim Jenny Comita’s essay in regards to the evolution of the sweetness requirements that outline the trade right here.
What’s most fun to you about working as a mannequin proper now?
What’s tremendous thrilling is seeing the work that I’ve put in get me to the extent that I can work with designers and stroll sure runways and guide sure publications. I’m in a lot gratitude and loving the method. I began on this trade from the underside. Onerous work, dedication, and perseverance has introduced me right here.
Prada jacket, tank high, and sneakers; Patricia Underwood hat; Cartier necklace; stylist’s personal belt, thigh-highs, and tights.
Marni gown; Intimissimi bra; Prada tank high; Cartier necklace; stylist’s personal gloves.
Do you will have particular targets in thoughts in relation to your modeling profession?
It’s essential for me to be linked to the visuals that I’m bringing to folks as a result of the main focus for me is admittedly larger. So far as the runways I’m gracing, I’ve all the time reached for the highest. My targets have all the time been enormous, and I’ve been in rooms the place folks really didn’t perceive how I might purpose that top or consider that I might accomplish what I wished to do. I’ve all the time been a curvy woman, since I used to be a baby. Past what trend folks take into consideration how I look, I really feel like myself as a baby would have appreciated actually seeing it. What I’m attempting to do with my profession is to essentially rework imagery as an entire. I need to do this in trend, I need to do this in movie and TV.
Have been there sure fashions you regarded as much as?
I’m grateful for folks like Iman and Naomi. Iman’s regality is innate. However I inherited an innate sense of who I’m and my price from my mother. That’s how she carried herself. I understand now, at this level of my profession, how a lot I worth that love and power that she’s given me. She’s been calling me a supermodel for the reason that first casting I ever had. I didn’t even have my comp playing cards but! That was the power from yr one. She is my number-one fan and hype girl.
Gucci cape; Akris jacket and skirt; Cartier necklace; Jimmy Choo sneakers; her personal bra; stylist’s personal thigh-highs.
The Brazilian photographer Rafael Pavarotti has established himself with a transparent eye for composition and a keenness of vibrant colours. He captured Valuable Lee, Bella Hadid, Anok Yai, Kendall Jenner, and Adut Akech—fashions with a robust perspective and a good stronger sense of self.
Hair by Eugene Souleiman at Streeters; make-up by Chiao-Li Hsu for Lashify at CLM; manicures by Eri Handa for Chanel Magnificence at Residence Company. Casting by Michelle Lee at Michelle Lee Casting. Set design by Mary Howard at MHS Artists.
Valuable Lee at IMG; produced by PRODn at Artwork + Commerce; manufacturing supervisor: Mitch Baker; producers: Kait Robinson, Ian Milan; picture assistants: Felix Turnbull-Walter, Valdrin Rexhepi, John Griffith; digital technician: Paul Allister; on-set retoucher: Pawel Okol; retouching: DTouch London; trend assistants: Felix Paradza, Marion Kelly; manufacturing assistants: Ryan Carter, Rance Gensemer, Kelli McGuire; hair assistants: Pamela Baumgartner, Christine Moore, Anastasiia Milyaeva; particular due to David at Fourteenjay Salon; make-up assistants: Mert Nazlim, Iona Moura; manicure assistant: Yoshimi Muranashi; set assistants: Montana Pugh, Michael Newton, Kylie Baker, Jason Beaucourt, Brendan Galvin, Ben Redding, Breanna Dejesus; tailor: Olga Dudnik; props: Hook Props; particular due to Hook Studio
